Virtual Reading for Poets in Pajamas

I did a thing. I don’t think I brought shame upon the family name, but I won’t ever watch this to find out, so you’ll have to let me know.

Or don’t.

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The Set List

• "when asked why “all lives” don’t matter" [First published in The Radical Teacher, No. 115 (Fall 2019)]
  

• "an open letter to the school resource officer who almost shot me in my class" [First published in Gravitas, Volume 18 Issue 2]
  

• "a confession from occupied territory" [First published in Teaching While Black (Main Street Rag, 2020)]
  

• "stop talking" [First Published in Rise Up Review Summer 2019]
  

• "when asked how we got here" [Unpublished. Rage-written a few days ago.]
  

• "station of the cross" [First published in 3Elements Literary Review Issue 20]
  

• "the surprising thing" [First published in The Radical Teacher Vol 112 (2018)]
  

• "to the Dreams that Explode" [First published in Teaching While Black (Main Street Rag, 2020)]
  

• "an open letter to my mixed little "Sisters Who Kept Their Naturals"" [First published in Solstice, Spring 2020]

Poets in Pajamas Reading on Facebook Live - May 10th

I’ve been selected to participate in Poets in Pajamas reading series on Facebook Live!

On Sunday, May 10th I will be reading selections from Teaching While Black, answering questions, and trying not to bring shame upon my family.

We’ll see what happens.

Here’s the event page link: https://www.facebook.com/events/1162329310765604/

New Sonnet up at The Amethyst Review

Another one of my theological sonnets—
[Say prayer’s correctly rubbing God’s back]—has been published by The Amethyst Review.

This one explores the human desire to get a signal out—to be heard and responded to by the numinous. Somehow appropriate for our current reality of social distancing.

Oddly enough, the inspiration for this poem came from a conversation with a student (as many do): something relatively psychotic about a rabbit’s foot. This is what it turned into. I think she would be pleased.

A Happy Poem Published in Solstice

In general, I am happy when any of my poems find publication. But some bring me more joy than others.

This is one of those times.

My poem “an open letter to my mixed little “Sisters Who Kept Their Naturals”” was just published in Solstice, and my heart is full.

While the connection and indebtedness to Gwendolyn Brook’s “To Those of My Sisters Who Keep Their Naturals” should be apparent, as with many of the poems in my “open letter” cycle, this piece has a intended audience and specific muses.

They know who they are, what their strength means to me, and how proud I am to be their big brother (multiple puns intended).

Selected for MassPoetry "Poem of the Moment“ Feature

My poem “self evident” has been selected by MassPoetry as a “Poem of the Moment.”

This honor means that my poem will be displayed on the Mass Poetry homepage for one week, be part of the Mass Poetry newsletter sent to 5000+ subscribers, and live in the Poem of the Moment archives.

And scores of English, humanities, and social studies teachers are going to suddenly feel very guilty, and (hopefully) reassess their white supremacist pedagogy.

Strong language you say?

If your lesson(s) specifically “other” your students because of their race, if the assignment is only natural and comfortable for white children, what would you call it?

Review of Teaching While Black at BASPPS

Doug Holder's Boston Area Small Press and Poetry Scene has posted an excellent review of Teaching While Black written by Gregory J. Wolos.

I feel a exposed.

New Poem in Spiritus

“The Third Renunciation”—one of my theological sonnets—was published in the latest issue of Spiritus (20.1).

It takes its title from Mary Margaret Funk's discussion of the 4th century monk John Cassian's three-fold denials in order to follow a path of spirituality:

First, we must renounce our former way of life and move closer to our heart’s desire, toward the interior life. Second, we must do the inner work (of asceticism) by renouncing our mindless thoughts.…Third, and finally, we must renounce our own images of God so that we can enter into contemplation of God as God" (Thoughts Matter, 9).

It is also the ‘title track’ of a book of poems I am shopping for publication (so if you like this one, and know anyone who wants to publish a bunch more like it, hit me up).

Virtual Reading of "said the band-aid to the shotgun wound"

This virtual reading of "said the band-aid to the shotgun wound" is brought you by the good people at Raven Chronicles and the anthology Take a Stand: Art Against Hate where this poem was published.

I should also thank the "professional development" that was so horrible, it inspired this poem.

But I won't.

The WEIGHT Journal is now live!

The first eight pieces have gone live at The WEIGHT Journal! Mostly poetry and a couple of flash and CNF works. We’re off to a good start and look forward to where this is heading.

Three Poems in Poemeleon

Poemeleon has accepted three of my poems for their TRUTH/Y Issue:

• “an open letter to the school resource officer who almost shot me in my class” ~ reprinted from Gravitas and Teaching While Black

  
  

• "an open letter to the poetry editor of [name withheld on advice from counsel]” ~ a true (enough) story

  
  

• "…and who is my neighbor?" ~ the “Parable of the Good Samaritan” retold for our #movement times.
  
  

Lessons from the Underside of Social Media: "anatomy of an internet troll"

Recently I became a teacher forced to move his lessons to an online format. I'll only focus on one of the myriad existential crises this has caused.

I now spend a stupid amount of time on the interwebs where, once again, I forgot to shut off my brain. I made the mistake of paying attention, doing deep dives, and reading the comments. Never read the comments. However, this time reminded me of a poem I wrote when similarly disenchanted (and a bit disgusted) with how some conduct themselves from behind the anonymity of screens. It gave me...something new to think about.

This is a true story. Completely true.

Maybe I should send him a copy.

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anatomy of an internet troll

you chose five photos to introduce yourself.

two are semi-automatic rifles. in another, a pregnant blonde
wraps an arm around your waist, holds the back of her left hand
to the camera. light winces from diamond to the “meninist”
embossed on your ripped t-shirt. the next cradles your son, newly minted
and in his mother’s arms (it’s four months later. your ring finger remains empty).
in the last, you’re bare-chested and finger gunning the camera, head cocked
to display the faux-mullet and horseshoe mustache that screams, “i actually enjoy
the taste of PBR.” this should have been enough. but i have to know more.

fourteen public photos cover your wall: guns on the kitchen table.
guns riding shotgun in your blue truck. you holding an antique pistol.
your infant son holding your middle finger. your not-yet-fiancé
uncomfortably holding a bolt action. an ill-attended baby shower.
you arching the sky above your blue truck with a flame-thrower—
a tiny American flag on the dashboard. an empty water park.
a dirt bike. two pre-pregnancy date photos. two pictures of the blue truck
you’ll own once you “scrape together the money to have it repaired.”
a cartoon of a priest with his pants down, his wrinkled pink gristle
on the forehead of a child. i click tabs, scroll, and try to understand.

your education stopped at the eleventh grade. you have no ‘Friends’
of color— at least none who will accept you on social media.
one of your white “bros” posted a meme about Black dicks
and white chicks. you smiley face emoji in reply,
but aren’t a racist because the only TV show you ‘Like’
is The Boondocks. no favorite books are listed. your self-assessments
are poignant and many (the use of apostrophes escapes you.
commas are liberally employed like bacon bits on a wilted hotel salad).
you can’t hold down a job because of “drama” in your past, “struggle”
that has not made you stronger. every day you sit in front of the computer
and play video games, “especially in the winter.” you ride your dirt bike,
every day, because you spent $200 on its parts. you enjoy the beach
and every “event that involves drinking,” but never drugs because
you’ve learned that lesson. you believe an “eye for an eye is fair,”
and will blast your music next to me because you wish for me to listen
(you need for me to listen). you feel you are a better person now. and unique.
and humble. and “more intelligent than most.” you describe yourself as
“a human being from the planet earth.” and i nod. and weep.

~ MEH

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Original published in 3Elements Literary Review, Issue 21

Two Poems in Show Us Your Papers (Anthology)-- Currently in Pre-Sale

Two of my poems will appear in the upcoming anthology Show Us Your Papers:

“legacy” ~ on emails containing last wills and testaments

and

“we all have to make sacrifices” ~ on racial microaggressions against the people least likely to shoot up a public school.

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From the Introduction of the anthology:

Show Us Your Papers speaks to a crisis of identity and belonging, to an increasing sense of vulnerability amid rapid changes in the USA. While corporations wait to assign us a number, here are 81 poets who demand full identities, richer than those allowed by documents of every sort. Here are poems of immigration and concentration camps, of refugees and wills, marriage and divorce, of lost correspondence and found parents, of identity theft and medical charts. In an era where the databases multiply, where politicians and tech companies sort us into endless categories, identifying documents serve as thumbtacks. They freeze the dancing, lurching, rising and falling experience of our lives. The disconnect between our documents and our identities is inherent, reductive, frustrating, and, too often, dangerous. Yet we cannot live without them. In this anthology 81 poets offer a richer sense of our lives and histories—richer than any “official paper” allows. These lyric and narrative forms demand that readers recognize our full identities: personal, familial, national, and historical…

Get your copy today at a discounted price.

Introducing The WEIGHT Journal

Some English teacher friends and I have started a litmag for high school students (9th -12th grade) called The WEIGHT Journal.

It has been widely circulated on social media that Shakespeare likely composed Macbeth, Antony and Cleopatra, and King Lear in the midst of the Black Death. Usually this factoid is shared as a challenge for writers to continue producing work in the midst of COVID-19 pandemic. No pressure.

Taking its title from the ending of Lear, The WEIGHT is a literary blog for high school students who may similarly find themselves in need of a creative outlet. Students with something heavy to get off their chest, and those bored out of their minds at home.

​We welcome all sorts of creative writing: poetry, flash fiction, short fiction, creative non-fiction, hybrid, and whatever else you have.

“The weight of this sad time we must obey,
Speak what we feel, not what we ought to say."
― William Shakespeare, King Lear

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Submission guidelines:

We're looking for writing that has something honest to say. Something that releases the WEIGHT/WAIT. That's it. No topic is off-limits. This is not about being "school appropriate."

• We are always accepting new submissions from 9-12 grade students (homeschoolers are welcome).

• We are publishing on a rolling basis (as we read, review, and accept new material, goes up).

• Please submit works not previously published elsewhere (your personal website/blog/social media do NOT count).

• Please include a short bio (100 words max) about yourself, including things like where you are, what you do, any past publications, hope and dreams, glass half full/empty.

​Poetry: 1-3 poems, up to 6 pages of poetry

Flash Fiction: 1-2 pieces, up to 500 words each

Short Fiction: 1 piece at a time, max 2000 words

Creative Nonfiction: 1 piece at a time, max 2000 words

Something you can’t even classify: 1 piece 1 at a time, max 2000 words

​Email your submissions as a doc., docx., or pdf. attachment (not in the body of an email) to theweightjournal@gmail.com

[Forthcoming] Two More Sonnet-Like Poems Will Appear in The Amethyst Review

Continuing my heretical (?) take on “unholy sonnets,”

[Say gravity is grace enough for god-]

and

[Say prayer’s correctly rubbing God’s back]

will be joining my other poems in The Amethyst Review: the former in April, the latter in May.

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The Amethyst Review has previously published:

• "confession found in a Motherhouse"

• [Say the polygamists just understand]

• [Say God’s love is like eating your Wheaties]

• [Say prayer is sex with God]

Shout out on the Boston Book Blog

Teaching While Black has a page up in

Boston Book Blog’s Local Author’s New Releases.

The Poetry Cafe's Review of Teaching While Black

Henry is an educator… who also feels deeply the frustrations incumbent upon being a Black teacher working in schools with a majority of white educators and students. God bless him for that, and even more so, for the frank, humorous, and compassionate poems in his memorable chapbook, Teaching While Black.

The good folks at The Poetry Cafe have posted their review of Teaching While Black online.

MEH is now Goodreads official

Apparently someone added Teaching While Black on Goodreads and I now have an Author’s Page.

Remember to only post nice comments and five star ratings because I might cry otherwise.

“Schizophrenia in G minor” — my only Valentine's Day poem

Schizophrenia in G minor

when i awoke yesterday
and found you beside me
atlas’ shoulders seemed to settle

as sweet sweat matted hair
hugged your face
in a vertical halo

the classical reprints
adorning our walls
sighed in jealousy

and i was in love

today
you’re a fat
rat nasty cow
and i wish
you would die

 

happy valentine’s day

Poetry East , #53 "Love Poems" Fall 2004

 

[Forthcoming] Poems in Baltimore Literary Review & Ploughshares

Baltimore Literary Review  has accepted “mannish water”

and

Ploughshares has accepted “twelve minutes a slave” for publication.

It’s been a solid week.

Poem published in Take a Stand, Art Against Hate

“said the band-aid to the shotgun wound”

is being reprinted in Take a Stand, Art Against Hate: A Raven Chronicles Anthology.

This poem, originally published in Teaching While Black, explores everything wrong with the application of uncritical anti-bias trainings in public school settings. Or at least what I could fit into one long poem before my head exploded.

I proud to have it included in this anthology.