"self-evident" by Matthew E. Henry, or MEH, caught my attention with its multiple and powerful layers. Told as an adult memory, it enters the moment when a child is asked to believe their own history isn't real but to focus instead on a cleaner, more inspiring narrative. For me, Henry's poem tackles rock-hard truths with personal experience and simple questions, and in so doing reexamines what we teach our children.
~ Mare Heron Hake, Poetry Editor TLR
I figured I should put my Masters of Arts in Theological Studies (concentration: Hebrew Bible and theology and the arts) to good use this time around.
More information to follow.
Some people find my poetry offensive.
I judge them by what they find offensive.
“an open letter to (FUCK) you” is no different.
Thanks to the wonderful people at Versification for highlighting it in their inaugural issue.
The Writing Process
Step 1. - Be pissed off
Step 2. Write
Step 3. Submit at 12:30 am
Step 4. Have an acceptance letter by 1 am
Finding a little bit of dark humor in the midst of utter business as usual bullshit in this country.
Click to read
Jizō Bosatsu,1279.
Artist in Japan,
Wood, lacquer, bronze, gold leaf and crystal.
“The Third Renunciation”—one of my theological sonnets—was published in the latest issue of Spiritus (20.1).
It takes its title from Mary Margaret Funk's discussion of the 4th century monk John Cassian's three-fold denials in order to follow a path of spirituality:
First, we must renounce our former way of life and move closer to our heart’s desire, toward the interior life. Second, we must do the inner work (of asceticism) by renouncing our mindless thoughts.…Third, and finally, we must renounce our own images of God so that we can enter into contemplation of God as God" (Thoughts Matter, 9).
It is also the ‘title track’ of a book of poems I am shopping for publication (so if you like this one, and know anyone who wants to publish a bunch more like it, hit me up).
Show Us Your Papers speaks to a crisis of identity and belonging, to an increasing sense of vulnerability amid rapid changes in the USA. While corporations wait to assign us a number, here are 81 poets who demand full identities, richer than those allowed by documents of every sort. Here are poems of immigration and concentration camps, of refugees and wills, marriage and divorce, of lost correspondence and found parents, of identity theft and medical charts. In an era where the databases multiply, where politicians and tech companies sort us into endless categories, identifying documents serve as thumbtacks. They freeze the dancing, lurching, rising and falling experience of our lives. The disconnect between our documents and our identities is inherent, reductive, frustrating, and, too often, dangerous. Yet we cannot live without them. In this anthology 81 poets offer a richer sense of our lives and histories—richer than any “official paper” allows. These lyric and narrative forms demand that readers recognize our full identities: personal, familial, national, and historical…
